Symposium: 30 Years after Les Immateriaux, Lüneburg, 21-22 May 2014

Anamnesis and Dis-Orientation – A Discourse on Matter and Time

Les Immatériaux demonstrated what Lyotard understands as the arrival of new material which can be understood in terms of a tele-communication model. This new configuration is the continuation of the modern project, while also became a counter force that subverts its vision, and brought forward a disorientation. The new materiality – in the name of the immaterial – as proposed by Lyotard during the preparation period of the exhibition demands a new metaphysics, not of creation but of interaction. This metaphysics, which is largely based on an interpretation of matter and time, was only more substantially expressed in his later works. A year after the exhibition, in a talk titled Logos et Tekhnè, ou la télégraphie (October 1986), Lyotard talked about the synthesis of time in terms of habitude, remembrance and anamnesis. Lyotard locates an anamnesis a possibility for a new philosophical discourse which goes beyond the technologos as well as writing, and he referred to Eihei Dōgen’s zen metaphor of the clear mirror to explain his notion of anamnesis. In fact, from the metaphor of Dōgen that Lyotard cited, one can retrieve a totally different relation between matter and time, which has been fundamental to East Asian thoughts and traditions. It was this different conception of matter and time that explains the absence of modernity in countries such as China, which experienced a dis-orient-ation after the confrontation with Western modernity. This difference also put Lyotard’s search of a new metaphysics into question: how shall one deal with the différend. This paper wants to start from matter and time, to re-consider the question of materiality from a global and historical perspective, especially addressing countries that never had a modernity (while accept a postmodernity) in its strict sense, and proposes to reconsider this différend.

 

Latest from Blog

《Post-Europe》出版

許煜的新書《Post-Europe》剛由美國Sequence Press和英國Urbanomic聯合出版,並將於9月由MIT Press (麻省理工學院出版社)發行。   內容簡介: &nb

《藝術與宇宙技術》日文翻譯出版

許煜的《藝術與宇宙技術》(2021)的日文翻譯 (芸術と宇宙技芸) 最近由東京逾百年歷史的春秋社(est.1918)出版。 最新技術が世界を便利なだけのものとしていくハイデガーの言う「哲学の終わり」の

《藝術與宇宙技術》俄文翻譯出版

許煜的《藝術與宇宙技術》(2021)的俄文翻譯 (Искусство и космотехника) 最近由AST出版社在“Слово современной философии(當代哲學語話)”系列

《論中國的技術問題》西班牙文翻譯出版

阿根廷布宜諾斯艾利斯的出版社Caja Negra剛剛出版了《論中國的技術問題:宇宙技術初論》的西班牙語翻譯。該出版社之前已經出版了《遞歸與偶然》的翻譯和一本題為《碎片化未來:論技術多樣性》的西班牙語選